Amelia Earhart: A Biography by Doris L. Rich

By Doris L. Rich

She died mysteriously earlier than she was once 40. but within the final decade of her existence Amelia Earhart soared from obscurity to popularity because the best-known girl aviator on the planet. She set list after record—among them, the 1st trans-Atlantic solo flight via a lady, a flight that introduced Earhart on a double profession as a fighter for women's rights and a tireless crusader for advertisement air trip. Doris L. Rich's exhaustively researched biography downplays the “What occurred to Amelia Earhart?” delusion via disclosing who Amelia Earhart rather was once: a girl of 3 centuries, born within the 19th, pioneering within the 20th, and advocating beliefs and desires proper to the twenty-first.

From Publishers Weekly:

With a mixture of bold and adroit public relatives, Amelia Earhart reigned as "Queen of the Air" through the interval among her first transatlantic flight in 1928 and her premature disappearance over the Pacific 9 years later. This fast moving, richly exact biography unearths an aloof, self sustaining lady who grimly persevered the general public clamor and cross-country lecture circuit that allows you to fund her wish to fly. In 1931 she married her publicist, George P. Putnam, whose brash schemes to capitalize on her aviation feats turned more and more foolhardy, best as much as her ultimate, deadly attempt to fly around the globe. the writer indicates Earhart used to be additionally a tireless champion of women's rights, pacifism and advertisement aviation, which used to be nonetheless in its infancy. whereas a few wondered her flair as a pilot, few denied the promotional charm of this appealing "Lady Lindy." wealthy, whose various occupation has incorporated journalism, images and instructing, vividly reminds us how primitive and hazardous early flight was once. Illustrations now not noticeable by means of PW.

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Although no longer “essential” to her, she said, he remained “very dear. ” Cage had a revelation for Xenia too. At the time he met her he was living with Don Sample. ” His relationship with Don Sample had become “promiscuous,” he added, both of them getting involved with other people. At some time during their stay in New York, Cage reportedly had a brief affair with the rising young architect Philip Johnson, who had organized an influential show of international architecture at the city’s Museum of Modern Art.

Cage composed some of his first percussion music when he and Xenia went to live in Santa Monica, probably late in 1937. They survived on only fifty dollars a month, he recalled, money he earned scrounging odd jobs and doing research for lawyers. The couple moved into a large house run by a bookbinder named Hazel Dreis, an artist at her trade whose covering materials included python. Cage and Xenia both learned to bind books—Xenia most actively, though he enjoyed designing the covers. The shop also supplied performers and instruments for his new percussion pieces.

Henry Cowell had composed a piece decades earlier in which he hit the keyboard with his whole forearm. Cage climaxed Construction in Metal by slamming it with a board that covered all the keys, and had a female performer, probably Xenia, smash a lime rickey bottle into a tin wash boiler half filled with broken glass. Cage capped his creations as a composer at Cornish by inventing a new musical instrument—the prepared piano. Surviving accounts of its birth and development differ. According to the dancer/teacher Bonnie Bird, the concept came to Cage around March 1939 by accident.

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